Journal

On Concrete and Permanence

On Concrete and Permanence

There is a tendency in architecture to treat materials as a finishing decision. Something chosen near the end, once the real work — the structure, the planning, the budget negotiations — has been resolved. We think this is exactly backwards.

There is a tendency in architecture to treat materials as a finishing decision. Something chosen near the end, once the real work — the structure, the planning, the budget negotiations — has been resolved. We think this is exactly backwards.

Raw stone block on a sandy surface in bright sunlight

The Case for Honesty in Material

Concrete is not a fashionable material. It has no warmth in the conventional sense, no grain, no colour that flatters in the afternoon light. And yet it is the material we return to on almost every project. Not because it is easy, or cheap, or because clients ask for it. Because it is honest.

A concrete wall does not pretend to be something it isn't. It shows its formwork, its aggregate, its age. After ten years it looks better than it did on the day of the pour. After fifty it has become part of the landscape.

Buildings that absorb time are worth more than buildings that resist it.

What permanence actually means

This is what we mean when we talk about building for permanence. The alternative is a material culture built around surfaces. Cladding that mimics stone. Render that imitates concrete. Veneers applied to structures that will not outlast the trend that inspired them.

Thinking in Decades, Not Years

When we specify materials on a project, we think about decade three more than year one. How will this floor wear? What will this wall look like when the light changes in winter?

The materials that earn their place

Concrete is one answer. Limestone is another. So is untreated oak, weathering steel, hand-fired brick. What these materials share is a willingness to change — to take on the marks of the life lived around them. That is not a flaw in the material. It is the point.

See It in Practice

Browse our completed residences and restorations

Brick building facade with arched windows and floor cushions in a courtyard
White stone terrace with large boulders and wicker furniture in sunlight
Woman standing in the entrance of a modern house surrounded by wildflowers

Notes

From the Journal

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We take on a limited number of new commissions each year

We take on a limited number of new commissions each year

Portrait of a woman with red hair on an orange background

Claire Moreau

Claire Moreau

Project Consultant

Project Consultant

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